" In a September 2015 interview with Deccan Chronicle, comedian N. Mahendra said, "most character artists today lack variety Show me one actor in India currently who can do a Kattabomman, a VOC, a Vietnam Veedu, a Galatta Kalyanam and a Thiruvilayadal. In a January 2015 interview with The Times of India, playwright Y. Saraswathi of Rediff included Thiruvilaiyadal in her list of "The Best Mythological Films of Tamil Cinema".
She called it: "the best of the many divine tales acted in." Thiruvilaiyadal is included along with other Sivaji Ganesan films in 8th Ulaga Adhisayam Sivaji, a compilation DVD featuring Ganesan's "iconic performances in the form of scenes, songs and stunts" which was released in May 2012. In April 2012, Thiruvilaiyadal was included in Pavithra Srinivasan of Rediff's list, "The A to Z of Tamil Cinema". Ganesan considered Thiruvilaiyadal and Server Sundaram to be "examples of good Tamil cinema globally." Maheshwari of The Hindu included "Paattum Naane" in her list of the "Immortal songs of TMS". It is one of the best films in the annals of Tamil cinema." Uma S. It treats a mythological subject in an interesting way. Nagarajan's Thiruvilaiyadal is imaginative. Ashok Kumar of The Hindu asked eight acclaimed directors to list ten films they liked most, Thiruvilaiyadal was chosen by C. After the Tamil cinema's platinum jubilee was held in 2007, when S. Nakkeeran's dialogue " Netrikkann thirapinum kutram kutramae!" (English: Even if you open your third eye, a flaw is a flaw!) became immensely popular. Director Boopathy Pandian's Thiruvilaiyaadal Aarambam (2006) was initially titled Thiruvilayadal, but this was changed after an outburst of objections from Ganesan's fans. Kamal Haasan, Prabhu Deva and Thiagarajan Kumararaja included Thiruvilaiyadal among their favourite films. Thiruvilaiyadal became a milestone in Nagesh's career and the character of Dharumi is considered to be one of his best roles to date.
Savitri and Sundarambal reprised the roles of Parvati and Avvaiyar respectively in Kandan Karunai. Other films which followed the trend include: Sri Raghavendrar (1985) and Meenakshi Thiruvilayadal (1989). Nagarajan and Ganesan went on to collaborate on several more films in the same genre, including Saraswati Sabatham (1966), Thiruvarutchelvar (1967), Kandan Karunai (1967) and Thirumal Perumai (1968). Raman called Nagarajan the "Master of mythological cinema". Film critic Baradwaj Rangan called it "the best" of the epic Tamil films. It was also responsible for a resurgence in mythological and devotional cinema as it was released at a time when Tamil cinema primarily produced social films. Thiruvilaiyadal has attained cult status in Tamil cinema. Ganesan while listening to an audio version of Thiruvilaiyadal
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